EXHIBITION : TYPOSPHÄRE







































TYPOSPHÄRE
Current position of script- imagery
03.08.2012 - 09.09.2012


 

Alexander Behn (DE) /// Chieh-Ting Hsieh (TW) /// Julienne Jattiot (FR) /// Anne Mundo (DE) /// Sebastian Russek (DE) /// Bo-Cheng Shen (TW) /// tamtamART GROUP (TW) /// Yung-Shan Tsou (TW)

OPENING:THU 02. AUGUST, 19:00
Greeting by Mr. Dr. iur. Wu-Lien Wei, Representative, Taipei Office in the Federal Republic of Germany

CLOSING:SUN 09, SEPTEMBER, 17:00
Both Events with Acordion-Music by Chieh-Ting Hsieh


This exhibition is dealing with the script forms of Chinese and Latin language that are written and / or printed. Typosphere (Typosphäre) aims to activate the dialogue between calligraphy and typography as well as drawing and print. It also presents a contemporary spectrum of script-/ imagery. This exhibition brings together eight artists from three different countries.

In this exhibition, the concept of script-/ imagery involves all senses: Anne Mundo’s abstract
drawings reveal her apprehension of the nuances between the calligrafic and graphic expressions. Alexander Behn presents his book- and letter- objects to set up his structural
argument on the physical and haptic qualities of letters. Bo-cheng Shen demonstrates the
cross-boundary effects of visual, audio and haptic stimuli as a whole in his Braille – sound -
installation. The tamtamART GROUP works on the interconnection between language and voice as well as script and imagery in a light-sound-installation. Chieh-Ting Hsieh translates the Chinese notation into his music. Furthermore, the typo-poetry of Julienne Jattiot, the calligraphic comics of Sebastian Russek and the reading installation of Yung-shan Tsou are also going to be presented in this exhibition.

This exhibition is sponsored by the Centre Culturel de Taïwan in Paris, Represented by Chih-Cheng Chen
Galerie im Turm is a establishment of the district office Friedrichshain-Kreuzberg





EXHIBITION : TWICE UPON A TIME






Twice upon a time...
Group exhibition at stattberlin

July, 21th-28th 2012

Vernissage : Saturday July, 21th (7-10 pm)


Andrea Arduini (IT)
Brian Bixby (USA)
Zabo Chabiland (FR)
Eli Skatvedt (NOR)
Yun-Ting Hung (TW)
Sasha Zivkovic (GB)

stattberlin is pleased to invite you to its next group exhibition Twice upon a time… opening on Saturday, 21th July at 7pm and presenting six artists from around the world. Through a variety of art media - such as installations, paintings or photographs – they explore different views of the same object… or the same view of different objects. By investigating the relationship between two ideas, spaces, people or group of people, cultures or environments, they offer a personal and subtle interpretation of global and existential questions.



Lottum Strasse 1 - 10119 Berlin
www.stattberlin.tk
stattberlin@gmail.com
T: +49(0)1738983451 (thu-sat 4-7 pm)


EXHIBITION : 凝視我的凝視:凝視的影像觀點和表現姿態





































凝視我的凝視:凝視的影像觀點和表現姿態
Gaze upon my gaze:the view of gaze vis images and gesture

Venue&Date|2012.05.26-07.01
新竹 國家藝術園區美術館 Art Museum at The Art Park


Artist|
Catrine Val 卡崔娜 沃爾(Germany)
Cheng,Meng-Meng 程蒙蒙(China)
Hung,Yun-Ting 洪韵婷(Taiwan)
Jan Pfeiffer 揚 菲佛(Czech)
Ohad Milstein 歐哈 米勒斯坦(Israel)

Curator|Tsai, Jia-Zhen 蔡家榛

Opening|2012.05.26 14:00
Lecture |2012.05.26 15:00
王柏偉(德國Witten/Herdecke大學文化系博士候選人)


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拉崗:「他們雖擁有眼睛卻無法看見」!

凝視,不僅止於看,而是試圖要看見,看見觀看關係中的主客體關係:外在的形象與內在顯影之間的關係、主體欲望想像與客體真實之間的關係...從觀視的建構關係來看,想像的、抗拒再現的、殘存在真實層的小對體就是凝視,因此凝視,絕對不是指感官上的看見或視覺,它是無法被視見的,也不能被再現的,我們看到的,只是它的反射鏡像,而不是它本身。可以說,凝視是交錯縱橫的想像的鏡像關係,其基礎來是觀看者的想像(我在看他),但同時又做為一方存在於他者外部的視點(他在看我),如此的辯證關係將回返到觀看主體上,反射出「我看到他在看我」的真實。


因此,卡崔娜.沃爾(Catrine Val)的自我扮裝作品,絕不僅僅是扮演被欲望、被觀看的客體,而是透過凝視的觀視關係,將自我反轉為客體,在層層的女性形象角色建構中,析映出自我的真實,也即是我透過他者看到我自己。揚.菲佛(Jan Pffier)的《超越控制 Beyound Control》作品雖然意圖指涉某種社會現實,但他黑布矇眼的意象,更是直白想像與建構觀看之間荒謬關係的關鍵。

不同於卡崔娜和揚反轉自身形象為觀看客體的路徑,歐哈.米勒斯坦(Ohad Milsten)的《白衣女子 Gril in White》以攝影機特寫女孩的臉部,攝影主體不斷在鏡頭後方要求(甚至是偶爾帶有強硬的姿態)女孩眼睛面對著鏡頭,在不常不短的七分鐘內,女孩的情緒上下起伏震盪,這件作品不僅直截地呈現凝視主客體之間的張力,某種程度也暗喻了性別的觀望關係與結構。

程蒙蒙的《黑眼睛》與洪韵婷的《當我們同在一起》可以說是凝視想像的顯影,將回憶影像交織在眼睛瞳孔的圖像中,與其說是回返,不如說是深刻了凝視的想像位置,至於洪韵婷以動畫影像和望遠鏡觀看裝置,試圖連結觀者的身體、展覽場域和作品之間的關係,觀者透過觀看或是參與作品,讓作品本身成為一個起點,開啟觀者自身的意象想像:「 我,凝視宇宙,凝視一個”不存在於現實中的理想”的彼岸。」



EXHIBITION : 2012 Solo Exhibition - SCENE ON THE WHEEL






































Kunstraum Tapir is happy to present
Yun-Ting Hung, SCENE ON THE WHEEL

Yun-Ting Hung images “Imagination” is like an electronic machine which can deal with all kinds of possible messages received by human beings. It has its own power to control our senses and mind and lead us to an internal world from the outer space. According to this her works always goes trough the creativity of the artist herself and the subjective discovery about the reality. It not only brings out the twisted look of the things but also create another reality world, which connects the common memories in our daily life! The image of Yun-Ting Hung's work is no longer pointed to any real materials and the imagery is not response any kinds of life reality. As the result, her work always provides a poetry, ambiguous, intangible space to let the viewers can communicate with the work trough their own imagination and go into the work itself to feel the power of “Reverberation”. It is presented by the simple, uninterruptible way.

This time, Yun-Ting Hung will present you the field of "imagination" through " Scene on the wheel." This artwork starts from the idea of mobility, she uses wheel to represent this concept. By changing or redoing the objects, artist inspires the audience about the idea of the ability of rebuilding of the original object. The part which is different from before is the series works provide a concept of " fantasy topography". The material and the object are all taken from local, so they can be seen as the record and the description of this area. In this way the fantasy space which the artist attempts to create is a " space/object carries with time", which means "the memory of the space/object". Therefore, to the audience, no matter whether there is a memory of this space/object or not, he can create "a removably fantastic memory" through the objects of the artwork.

opening on April 13th, 7-10pm

show: April 14th - 21th
open on Thursday 4-7pm and by appointment
(kunstraum tapir 0162.1560185)

curated by Takt
http://taktberlin.org/residency/news/1100/news.htm
http://www.yuntinghung.com/

EXHIBITION : 2012年法國香檳.亞登區台灣藝術展覽 - 台灣青年世代藝術展覽




















呼應新東向-法國香檳.阿登區藝術節的串連,伴隨著多個台灣表演團隊於法國香檳.亞登區的巡演,為更促進雙方優質文化交流、並完整呈現台灣豐厚的文化面貌,駐法國代表處巴黎文化中心將與近年重續駐村合作的CAMAC藝術中心,共同舉辦台灣當代藝術展覽以及駐村藝術家活動,同時也與名列世界遺產之中世紀古城Provins市政府合作,於當地藝術中心Hôtel de Savigny舉辦展覽,呈現多位台灣青年世代之藝術家創作,以期當地人士得以透過足能呈顯台灣文化樣貌的藝術創作語彙及表現形式,進一步了解臺灣當代社會的多元活力。展出內容包含10個藝術家、2處展覽地點、3位藝術家駐村。


展覽時間

Hôtel de Savigny2012329 - 417 / 331日下午1700開幕
CAMAC藝術中心:2012330- 63 / 330日下午1830開幕

展覽地點 / 參展藝術家

Hôtel de Savigny:何孟娟、劉季易、廖堉安、羅仕東、杜佩詩、高俊宏、鄭佩齡
CAMAC藝術中心:李佳玲、劉千瑋、洪韵婷




EXHIBITION : Open Studio



at Vermont Studio Center
01. February. 2012   7pm


TEXT : GAZE issue04: Gaze on me!


凝視,然後丈量著我和世界站在一起的距離
Artist|Hung Yun-Ting / 洪韵婷 (Taiwan / 台灣)
Work|《We’re all together 》
Video Installation 2011
























































more info :
www.gaze-upon.com

NEW ISSUE : YUN-TING HUNG 洪韵婷 : REVERBERATION


2011
Yun-Ting Hung 洪韵婷 : Reverberation

Textbeitrag von Weiwei Lo 羅浥薇
Übersetzung: MengLing Hsieh 謝孟伶 
Gestaltung: Harri Kuhn Mischen 
32 Seiten, 23 Abbildungen  
ISBN: 978–3–941318–37–3